Julie
Gibson
English
2 Pre-AP
Maya Angelou's I Know Why Caged Bird Sings
illustrates how an innocent and naive girl growing up in the midst of the Great
Depression overcomes life's many
obstacles and becomes the powerful and influential woman she is today.
Maya is a world renowned author, teacher, speaker, actress, and mother. Through
this autobiographical piece, Maya's use
of figurative language and allusion compounds her thoughts, as she depicts how
one can supersede the expected barriers and soar to new heights..
In chapters 14 and 15 of the book, Maya's
usage of figurative language conveys her struggle to speak. Through a tragic
rape by her mother's boyfriend, Maya is scared for life and is led to believe
that the very sound of her voice is lethal, consequently, she conceives a six
year silence that, not knowing then, could limit her opportunities and convert
her fate. After returning from St. Louis
and entering Stamps, Maya entered her six year "cocoon." This haven
extricated her metamorphic spurt into reality and womanhood. As with every
cocoon, there is always a time when one must leave and bravely enter the
unknown world behind the shell. Mrs. Flowers encouraged Maya to emerge and
assisted her in finding her strongest defense and force, her love of
literature, to open this barrier and allow Maya to end the silence. By doing
this, it enhanced Maya's courage and willingness to conquer other barriers and
fortresses. Maya's love of literature expanded and opened her horizons. One of
Maya's favorite pieces of literature is The Tale of Two Cities. She enjoyed it
because it was a tale of her life, although in different cities, now being St.
Louis and Stamps, it seemed as if she was reading her own autobiography, which
is, in fact, rather portentous and foreshadowing. With the first line of the
book being, "it was the best of times and the worst of times...", it
paints a portrait of Maya's childhood. Maya, even though she
struggled through
adolescence, was the best times of her life. It was her learning period. It was
her no turning back period. She felt as if, even though the outer exterior of
the environment was corrupt, why must her life be? It didn't have to be. Maya
emerged into being a "dirty and inedible biscuit." Maya is becoming a
very strong and independent woman. Most biscuits, when old, are moldy and have
a very hard outer covering with a soft inside. Maya has, again, built herself a
fortress of protection, yet she is able to express herself freely. With this
hard, outer covering, it protects her from insults and segregation. This also
demonstrates her incredible lack of self-esteem. During the Depression, food
was hard to come by, most would consume food even if appeared to be inedible.
She compares herself to a needed, yet unwanted, source, making her very
insecure and unable to express her feelings. Like most other stale foods,
biscuits crumble easily. If handled or touched the wrong way, she would,
indeed, crumble and leave bits of her soul behind.
Figurative language continues throughout the chapter establishing Maya's
mentor, Mrs. Flowers. She is the one person whom targeted Maya's weaknesses and
powerful points, hence making her the significant woman she is today. She was a beautiful black woman whom was so
frail, she would "snag like a plum" if touched. Mrs. Flowers was put
on a pedestal. She was an educated woman, whom, by this statement, seems to
have been very beautiful, much like a porcelain doll. She was a roll model for
Maya. Maya looked up to her in every way, for beauty, intelligence, and her
"womanly like" stature. She was like the "women in English
novels who walked the moors." Mrs.
Flowers was much like a white person to Maya. She seemed fictional, like it was
too good to be true. A beautiful woman strolling through open wasteland is how
Maya saw her. She was peaceful, yet
powerful, and beautiful, yet independent. This being what Maya
wanted and hoped
for in life... her own independence, intelligence, and beauty. Mrs. Flowers and
Mamma expected May a to be "womanly like," not knowing what happened
in St. Louis. Maya was afraid that they would find out what happened to her.
Mrs. Flowers built her to be a woman, without Maya even acknowledging it. She
did it patiently, therefore succeeding and constructing a path for Maya on her
way to becoming a woman.
In conclusion, Maya sets an example, just
as Mrs. Flowers did for her, and tells the world that anyone can succeed if
they try. Maya overcame the wrath of a childhood rape, segregation,
prostitution, hate, and love. She writes this to express that she, too, knows
why the caged bird sings and anyone can overcome if they merely open their
wings and fly.
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