Kathrine Hep, the winner of more acting awards
than any other actress in history,
is a very dynamic
woman. She was born in Hartford
Connecticut, on May 12, 1907. She
wass the second
oldest child of six. Kate,as she was
called by her family members, had
two sisters, Peg
and Marion, and three brothers, Tom, Dick, and Bob.
She attended Bryn Mawr college in
Connecticut. She majored in acting. During
her senior year
at Bryn Mawr, Katharine met Ludlow Odgen Smith.
That was 1927.
In
1928, she and
"Luddy" (her nickname for him) were married. They moved from
Hartford to New
York.
Kate's acting career started in 1928 when she
played in a New York Production
of The Big
Pond. The first Broadway production she
played in was The Night Hostess
where she had a
small role. Miss Hepburn played a part
as a schoolgirl in the play These
Days. It opened in her hometown, Hartford,
Connecticut. She was praised by critics
for
her
performance. She earned a one hundred
twenty-five dollar a week salary for These
Days. In the 1930's, that was a very high salary
for begining actresses.
Katharine served as Hope Williams's understudy
in Holiday. She sat through
every performance
for six months. One day at understudy
rehearsal, Aurhtur Hopkins,
the director,
watched her act. "Fine," he
said, "Just don't ever be sorry for yourself."
One night at midnight, Jimmy Hagen, the writer
of the play, asked her if she still
knew her
part. Hope was sick and they needed her
to perform. She spent all day the next
day memorizing
her lines. Katharine did her best.
"I lived through it ... so did the
cast." She did have one
disappointment. Aurthur
Hopkins didn't
come to watch her perform.
In the spring of 1930, Kate played roles in the
plays The Admirable Crichton and
The Romantic
Young Lady. During the second week of
The Romantic Young Lady,
Katharine
quite. She thought that she was wasting
her time. She wanted a decent part.
Kate and Luddy
spent the rest jof the summer in Fenwick.
There was a long drought of jobs in the fall of
1930. Then Clifford Brooke, a
director, sent
for her to read a part for him. He and
his staff had seen her in These Days.
She went to the
reading in old clothes. She wore no
make-up except for bright, red
lipstick. Benn Levy, an English producer was not used
to this way of auditioning. Jane
Cowl, the star of
the play, took her to the make-up room and made her look beautiful.
Levy still didn't
like what he saw and let her go.
Katharine knew that they would regret letting
her go. She was right. They called
her a week later and said they would pay her one hundred
fifty dollars per week to do a
play called Art
and Mrs. Bottle. She and Jane Cowl
became good friends. Jane helped
her immensely
with her acting. In 1932, she appeared
in a play called The Warriors
Husband. A representative from RKO Studios came to see
the play. He gave her a
contract. She made three movies in less than year: Bill of Divorcement, Christopher
Strong, and
Morning Glory. She won her first ever
Academy Award in 1933 for her
performannces in
these movies. In late 1933, Kate made
Little Women. This was on of
her favorite
movies. Then, in 1934, she made a
picture called Spitfire.
Between 1936 and 1938, she made eight
movies. She thought that four of them
were very
dull. The other four, she thought, were
good movies, two with Cary Grant.
She did Holiday
on a loan-out from RKO Studios, who wanted rid of her. They made a
deal: She paid RKO $75,000 and they would let her
do Holiday for Columbia, who had
offered her
150,000.
The 1940 MGM film version of The Philedelphia
Story, which she did with Cary
Grant, brought
her a New York Film Critics' Circle Award.
In 1942, she made Woman
of the Year. This was the first of may popular films that
she made with her friend,
Spencer
Tracy. Other movies that she made with
him were Keeper of the Flame,
Without Love, Pat
and Mike, and Desk Set. She won a Carnes
Film Festival award for
Guess Who's
Coming to Dinner, which was Spencers last film.
Kate aslo won an
Acadamy award for
it. She was nominated for six Oscars and
won three of them.
Katharine, a dedicated induvidualist, added her
dynamic personality to many
early
movies. That is what made her a living
legend.
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