Copyright (C)
1996 By Kevin McKillop
Lord of the Flies
Essay
Grade 11 Advanced
English
A running theme
in Lord of the Flies is that man is savage at heart, always ultimately
reverting back to an evil and primitive nature.
The cycle of man's rise to power, or righteousness, and his inevitable
fall from grace is an important point that book proves again and again, often
comparing man with characters from the Bible to give a more vivid picture of
his descent. Lord Of The Flies symbolizes this fall in different manners,
ranging from the illustration of the mentality of actual primitive man to the
reflections of a corrupt seaman in purgatory.
The novel is the
story of a group of boys of different
backgrounds who are marooned on an unknown island when their plane
crashes. As the boys try to organize and
formulate a plan to get rescued, they begin to separate and as a result of the
dissension a band of savage tribal hunters is formed. Eventually the "stranded boys in Lord of
the Flies almost entirely shake off civilized behavior: (Riley 1: 119). When the confusion finally leads to a manhunt
[for Ralph], the reader realizes that despite the strong sense of British
character and civility that has been instilled in the youth throughout their
lives, the boys have backpedaled and shown the underlying savage side existent
in all humans. "Golding senses that
institutions and order imposed from without are temporary, but man's
irrationality and urge for destruction are enduring" (Riley 1: 119). The novel shows the reader how easy it is to
revert back to the evil nature inherent in man.
If a group of well-conditioned school boys can ultimately wind up
committing various extreme travesties, one can imagine what adults, leaders of
society, are capable of doing under the pressures of trying to maintain world
relations.
Lord of the Flies's apprehension of evil
is such that it touches
the nerve of contemporary horror as no English
novel of its time has
done; it takes us, through symbolism, into
a world of active,
proliferating evil which is seen, one feels,
as the natural condition of
man and which is bound to remind the reader of
the vilest manifestations
of Nazi regression (Riley
1: 120).
In the novel,
Simon is a peaceful lad who tries to show the boys that there is no monster on
the island except the fears that the boys have.
"Simon tries to state the truth: there is a beast, but 'it's only
us'" (Baker 11). When he makes this
revelation, he is ridiculed. This is an
uncanny parallel to the misunderstanding that Christ had to deal with
throughout his life. Later in the story, the savage hunters are chasing a
pig. Once they kill the pig, they put
its head on a stick and Simon experiences an epiphany in which he "sees
the perennial fall which is the central reality of our history: the defeat of
reason and the release of... madness in souls wounded by fear" (Baker
12). As Simon rushes to the campfire to
tell the boys of his discovery, he is hit in the side with a spear, his
prophecy rejected and the word he wished to spread ignored. Simon falls to the ground dead and is
described as beautiful and pure. The
description of his death, the manner in which he died, and the cause for which
he died are remarkably similar to the circumstances of Christ's life and
ultimate demise. The major difference is
that Christ died on the cross, while Simon was speared. However, a reader familiar with the Bible
recalls that Christ was stabbed in the side with a a spear before his
crucifixion.
William Golding
discusses man's capacity for fear and cowardice. In the novel, the boys on the island first
encounter a natural fear of being stranded on an uncharted island without the
counsel of adults. Once the boys begin to organize and begin to feel more
adult-like themselves, the fear of monsters takes over. It is understandable
that boys ranging in ages from toddlers to young teenagers would have fears of
monsters, especially when it is taken into consideration that the children are
stranded on the island. The author wishes to show, however, that fear is an
emotion that is instinctive and active in humans from the very beginnings of
their lives. This revelation uncovers another weakness in man, supporting the
idea or belief that man is pathetic and savage at the very core of his
existence. Throughout the novel, there is a struggle for power between two
groups. This struggle illustrates man's fear of losing control, which is
another example of his selfishness and weakness. The fear of monsters is
natural; the fear of losing power is inherited. The author uses these vices to
prove the point that any type of uncontrolled fear contributes to man's
instability and will ultimately lead to his [man's] demise spiritually and
perhaps even physically.
The author
chooses to use an island as the setting for the majority of the story. "The island is an important symbol in
all of Golding's works. It suggests the isolation of man in a frightening and
mysterious cosmos, and the futility of his attempt to create an ordered
preserve for himself in an otherwise patternless world" (Baker 26). The
island in the novel is the actual island; it is not simply an island, though.
It is a microcosm of life itself, the adult world, and the human struggle with
his own loneliness.
"Left alone
on the island of the self, man discovers the reality of his
own dark heart,
and what he discovers is too abominable for him to
endure. At the highest pitch of terror he makes the
only gesture he can
make -- a raw,
instinctive appeal for help, for rescue" (Baker 67).
Man grows more
savage at heart as he evolves because of his cowardice and his quest for
power. The novel proves this by throwing
together opposing forces into a
situation that dowses them with power struggles and frightening situations. By
comparing mankind in general to Biblical characters in similar scenarios, the
novel provides images of the darker side of man. This darker side of man's
nature inevitably wins and man is proven to be a pathetic race that refuses to
accept responsibility for its shortcomings.
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