The Play: "A Midsummer Night's
Dream", by William Shakespeare offers a
wonderful
contrast in human mentality. Shakespeare
provides insight into man's conflict
with the rational
versus the emotional characteristics of our behavior through his settings.
The rational,
logical side is represented by Athens, with its flourishing government and
society. The wilder emotional side is represented by
the fairy woods. Here things do not
make sense, and
mystical magic takes the place of human logic.
Every impulse may be
acted upon
without and forethought to there outcome.
The city of Athens represents the epitome of
civilized man. Ruled by the laws of
man and kept in
check by society's own norms. The human
struggle to suppress its
unrestrained and
irrational tendencies, still being undertaken today, discourages the
'civilized' man
from making rash and foolish actions.
Thus every action should have a
sound and logical
purpose, based on the social norms.
In the play, Egeus, the father of Hermia, has
thoughtfully chosen what he considers
an acceptable
mate to wed his daughter. Egeus most
likely based his decision on
economic,
political, and social factors in his choosing of Demetrius. He is making a
reasonable
decision based on Hermia's future in their society. Unfortunately Hermia is
smitten by
Lysander and vice versa. Although her
father may have made his decision with
every good
intension, keeping with the traditional customs of his day, and even perhaps
taking into
consideration such things as attractiveness, he failed to foresee the desires
of
his
daughter. The young Lysander, who like
most young men, cares little for the rules of
society, is
willing to break tradition and flee Athens to obtain Hermia. Therefore they
must leave the
rational Athens to enjoy their irrational love.
Theseus, the king of Athens, is the highest
symbol of law and order in his
kingdom. After winning a war with another kingdom, he
chooses to marry their queen,
Hippolyta. His decision may very well have been inspired
by love, but the political
ramifications of
their marriage is a more plausible rationale.
In fact Theseus' apparent
love for
Hippolyta seems almost as an added reward to an already beneficial partnership.
Whether any
attraction was there or not probably would not have made a difference. As
king, Theseus
must place the kingdom before his own feelings.
It simply comes with the
position.
In short Athens represents the desire to
suppress feelings and impulses and to
make decisions
based on logic. Thus it does not give
the power of raw emotion the true
respect it
requires, for man is both emotional and rational. Love never has, and never will,
be predictable.
The fairy world represents man's undisciplined
emotional quality. Here the laws of
man do not apply
and things simply need not make sense.
Attributes like adventure,
romance, fear,
foolishness, and mockery are all things suppressed by Athens and
welcomed by the
fairy woods. The fairies respect the
untamed heart and they understand
the power love
holds. These creatures embrace the
unruly craziness that passion brings,
they live for the
moment and are pure at heart. Along with
love and passion the fairy
world is also
susceptible to other emotions running wild.
Jealousy, anger, and humor at
the expense of
others are all abound here.
Oberon, king of the fairies, is the
quintessential symbol of human impulsiveness.
He obviously
loves his queen, Titania, very much and is instantly jealous of her love for a
indian
child. He rashly devises a plan to
snatch up the child for himself and at the same
time have a
little amusement at Titania expense. His
plan is to cast a magic spell over her
with a 'love
flower' causing her to fall in love with the first person, or creature, she
sees.
There is no
rational reason for Oberon's actions, for jealousy is irrationality at it's
most
basic level.
Robin Goodfellow, or puck, is Oberon's fairy
servant, and perhaps the most
irrational person
in the play. He is the essence of wild
and untamed foolishness. He
pleases himself
by performing his fairy magic on unsuspecting travelers, and simply
devotes his time
to mischief. He is the one that Oberon
entrusts with his plan to inflict
Titania with the
love spell, and also gives him an extra chore as a bonus. This ends up to
be a disastrous,
yet entertaining event.
Shakespeare successfully contrasts the duality
of man's nature by using two
settings with
opposite characteristics. Whether this
was the entire purpose of the play is
doubtful, but is
remains an interesting and well paralleled feature. The people of Athens,
struggling to
understand the illogical fairy world, and at the same time exhibiting the same
behavior. Perhaps Shakespeare seeing the era of logic
and reason obtaining new highs,
wished to remind
us all of our other side. The emotional
quality of mankind may get him
into trouble, but
it is also what makes life so thrilling and bearable. Like the ying-yang,
one cannot live
without the other.
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