Shakespeare uses
many motifs to expand on the themes of the story. His most-used motif revolves
around filial responsibility. Each of the two plots contains characters who
betray their fathers. Goneril and Regan flatter their father, King Lear, and
then betray him. The drastic change that occurred in their attidtude towards
their father is clearly evident through Goneril's speech before:
"Sir, I love
you more than words can wield the matter;
Dearer than
eye-sight, space, and liberty;
Beyond what can
be valued, rich or rare;
No less than
life, with grace, health, beauty, honour;
As much as child
e'er loved, or father found;
A love that makes
breath poor, and speech unable;
Beyond all manner
of so much I love you." (Act
I, Sc i, Ln 57-63)
and after she had
been allotted one half of the kingdom:
"'Tis his
own blame; hath put himself from rest,
And must needs
taste his folly." (Act II, Sc ii, Ln 289-290)
They both were
interested only in getting Lear's land, and used any means necessary to get it.
Edmund, in the other plot of the play, deceives his father in order to gain his
favor. Edmund, the Earl of Gloucester's bastard son, tells his father that
Edgar, Gloucester's legitimate son, is plotting to ruin Gloucester. This causes
the Earl to banish Edgar and give his title and land to Edmund.
The ironic misuse
of power used by the Earl of Gloucester shows up in both plots. Gloucester
punishes Edgar and later finds that Edmund was the one taking advantage of him.
Similarly, Regan and Goneril gain Lear's favor, while Cordelia is left
'dowerless' and banished from the kingdom. In the end, though, Cordelia saves
Lear from the betrayal of Goneril and Regan.
Shakespeare
develops these major motifs with supporting motifs. He describes how revenge
can affect families and create problems for the characters. He also uses the
senility associated with old age to justify the irrational actions of both
Gloucester and Lear. Gloucester, deceived by Edmund, becomes paranoid of Edgar.
Lear is portrayed as senile form the beginning when he splits his kingdom
between his daughters. He becomes so engrossed by Goneril's and Regan's
flattery that when Cordelia refused to cater to his wishes, he banishes her in
a fit of rage.
Using the various
motifs, Shakespeare makes many thematic statements about filial responsibility.
Without scrutiny, many children will become overtaken by greed and attempt to
get their parents' wealth by any means. Some children will remain good at
heart, but it is difficult to predict which children will honor their parents.
This is shown in both plots of the story, with King Lear and Gloucester
trusting, and being deceived by, the "bad seeds." Lear learns of his
troubles after both Goneril and Regan throw him out, but Gloucester understands
the betrayal of Edmund much later.
The other major
theme in King Lear deals with appearances. Shakespeare states, as he does in
many of his plays, that appearances can be deceiving. Many people put up false
fronts in order to get what they want, including Regan's and Goneril's
flattery. Once again, one must be careful not to fall victim to others' false
actions. Shakespeare emphasizes the need to think about actions that may have
serious consequences, and not to rush into anything. Irrational behavior and
gullibility cause many of the problems and conflicts in King Lear.
No comments:
Post a Comment