Sir Gawain and
the Green Knight utilizes the convention of the French-influenced romance. What
sets this work apart from regular Arthurian or chivalric romances is the poet's
departure from this convention. The clearest
departure takes place at the resolution of the piece as the hero, Sir Gawain,
is stricken with shame and remorse rather than modest knightly pride, even
after facing what appears to be certain death and returning to his king alive
and well. Although this manner of
closure would leave much to be desired for an audience who is interested in
reading a ridigly conventional romance, the coexistence of the romantic
convention with the departure from it inspires questions concerning why the
author would choose to work within such guidelines and what the significance is
of breaching those guidelines.
By
employing the chivalric convention in romantic literature and then going beyond
it to reveal other ways of thinking, the writer challenges the very notion of
chivalric conventions of the surrounding social climate. He demonstrates throughout the work a need
for balance. As symbolied by the
pentangle worn by Sir Gawain, representing the balanced points of chivalric virture,
each being codependent of the other in order to remain a whole, the narrative
could be considered as a
What accompanies an appreciation for the
seemingly sudden shift from the typical romance at the end of the piece is the
raised awareness that the change does only seem to be sudden. Careful exlporation of the plot, setting, and
character descriptions illuminates several deviations from the established
convention of the ideal society existing within the text. The effect is then a type of balancing act--
blah blah blah
The opening of the piece sets a fairly typical
stage for an Anthurian romance, giving relevant historical and geographical
information. King Arthur's court is
going on as it is expected to be within the social constructs, merrily feasting
and celebrating the Christmas holiday.
The entrance of the Green Knight into Arthur's court marks a significant
He is a courtly
figure from their recognizable world. He
appears as a knight ought to appear: tall, handsome, and fashionably dressed;
however, the Green Knight's adherence to the conventions of the court is offset
by his departure from that world. He has
very unfashionable long hair and a beard; and, most noticably, he and the horse
accompaning him are a stunning color green. The author brings to question what
his motives are by juxtaposing his possession of holly, a sign of peaceful
intent, with the monstrous axe he weilds.
The fusion of human and supernatural characteristics add to the
ambiguity of the piece, the balance between conventional and non-conventional,
and give the first sign that the construction of the narrative is dependent on
this balance.
The 'match': a game, yet implies death
Arthur swings
with the temperment and yet nothing happens.
The response of the Green Knight is completely passive. When Gawain intervenes, it can be seen in two
ways, that he is intervening with the courtly manner of a true knight of the
Round Table, or with an implied criticism of Arthur for involving himself in
such a challenge and on the court for letting this to take place. This brings about questions of the reputation
of the Round Table and of the truth of the chivalric nature of the knights in
the court.
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