In every society, it is important for
individuals to adhere to a set of principles in
order to maintain
order. In Dostoyevsky's Crime and Punishment and Camus' The
Outsider ,
however, both protagonists ignored the values of their society. Raskolnikov
and Meursault
felt their own beliefs were significant, and through their actions they were
able to express
them. As a result, one man was judged as a social deviant, while the other
man suffered
psychologically. Through dealing with this strife, Raskolnikov and
Meursault gained
a better understanding of their values and personal worth.
In the beginning both men rejected the
fundamental values of society and formed
their own
ideologies. Raskolnikov, for instance, believed that "we have to correct and
direct nature.
But for that, there would never had been a single great man"1. In fact, he
had written an
article titled "The psychology of a criminal before and after the
crime". It
stated that
'ordinary' men live according to the law and exist only to reproduce the
human race, yet
'extraordinary' men may break laws "if in his own conscience it is
necessary to do
so in order to better mankind"2. Raskolnikov believed that indeed, he
was an
"extraordinary man"3, but like Meursault, his beliefs were untested.
As a result,
he murdered an
old pawnbroker women in order to prove himself. Meursault, as well,
acted against the
social norm. For example, even though it was expected of a son, he did
not show sorrow
at his mother's funeral4. He did not think this was shallow, however, he
just refused to
falsely show emotion when he did not feel any; "I realized that I'd
managed to get
through another Sunday, that mother was now buried, that I was going
back to work and
that, after all, nothing had changed"5. In addition, Meursault felt that
"nothing
really mattered"6. He was willing to be transferred to the Paris branch of
his
office, but
Algiers would do for him as well; he was willing to marry Marie, but he would
have married
anyone else just as easily; and he was willing to write Raymond's letter for
the simple reason
that he "had no reason not to please him"7. This honest and
nonchalant
way of looking at
things was the basis of Meursault's essence. He, and Raskolnikov, had
a general sense
of who they were; based not on society's principles but their own.
After they committed their crimes, Raskolnikov
and Meursault were forced to
question their
beliefs. Before the murder, Raskolnikov had a dream. In it, a mare was
beaten to death
by it's enraged master, while a boy tried to defend it8. Now after his guilt
"had begun
already"9, Raskolnikov questioned whether he was the man who could
"step
over
barriers"10 without being punished or if he was the boy, filled with
compassion and
regret.
I am contemptible and have nothing in me. If I
had succeeded I should have been
crowned with glory, but now I'm trapped. I fail
to understand why bombarding
people by regular siege is more honorable...I
am further than ever from seeing
what I did as a crime11
Yet from this
speech it is revealed that, though he now questioned the morality of his
felony,
Raskolnikov could still not abandon his intellectual conviction. He was unable
to
see the murders
as a crime and felt that if he was guilty of anything, it was failing to
prove his theory.
"And for that he was contemptible"12. In addition, Raskolnikov
examined his
spiritual beliefs as well. When he stopped to look at a cathedral he attended
in university he
"recalled sharply these former doubts and perplexities of his, and it
seemed to him not
by chance that he remembered them now"13. At this moment, he
hurled away the
coin just given to him "in Christ's name"14. This incident symbolized
Raskolnikov's
initial rejection of God, an important moment in his spiritual struggle.
After Meursault
murdered the Arab, however, he remained unchanged by immorality of
his crime. He
felt no regret towards his actions, in fact he "felt kind of
annoyance"15.
Also, he
continued to state the truth;
Then he [the magistrate] asked me if he could
say that I'd controlled my natural
feelings that day. I said 'No, because it's not
true'. He looked at me in a peculiar
way as if he found me slightly disgusting.16
Likewise, during
his trial when the prosecutor was emphasizing the fact that Meursault
was smoking at
his mother's wake, Meursault not only admitted it but stated; "I offered
him [the
caretaker] a cigarette"17. Through such actions Meursault refused to
"play the
game"18. If
he had done what society expected (lie, plead, express emotion), he might
have been
released. But he would not lie about himself, not even to save his own life.
Though his
philosophies did not change, while Raskolnikov's faltered, they both were
confronted by the
ethics of their crime.
In time, both Meursault and Raskolnikov
realized their beliefs differed society's,
however only
Raskolnikov choose to act on it. Raskolnikov had finally realized his false
conception of his
place in the world. He was now able to admit to himself that he was not
like the
"real master (Napoleon)"19 who could massacre cities and abandon
armies
without a
thought. Instead, he considered himself and "aesthetic louse" for
carrying out a
murder not as
"a grand and noble object, but for my own fleshly lusts"20. He was at
the
end of his
"uneasy period"21 and was ready for some kind of resolution. It was
with
Sonia's help that
he was able to achieve it. She convinced Raskolnikov that suffering
lead to salvation
and that suffering began only after confession. She then gave him the
cross of the
murdered woman, Lizaveta, and stated "When you go to suffer, you will put
it on. Come to me
and I will put it on you. We will pray together, and then we'll go".22
Yet Raskolnikov
replied; "Not now, Sonia. Better later"23. Thus Raskolnikov was still
not quite ready
to confess and accept Sonia's cross, the symbol of suffering. Sonia also
suggested that
he;
Go now. Go this very moment, and stand at the
crossroads; bow down and first
kiss the earth which you have defiled; then bow
down to the whole world, to the
four points of the compass, and say aloud, for
all men to hear, "I have killed".
Then God will send you life again...You must
accept suffering and redeem
yourself by it; that's what you must do.24
Raskolnikov now
had realized the inhumanity of his crime, and knew that his voluntary
confession would
be the first step towards his regeneration. Meursault, too, realized the
alienation of his
beliefs. Midway through the trial Meursault "felt something stirring up
in the whole
room; for the first time I was realized I was guilty"25. Not only is this
true in
a legististic
way, but he was guilty in a much larger sense. He was guilty of not accepting
the formulas by
which society convinces itself it is happy. He was now beginning to see
that he was not
"like everyone else, exactly like everyone else"26. Yet, unlike
Raskolnikov, he
was not affected by this. He did not want to change. To him, his death
was
inconsequential. He believed whether he killed the Arab or not, "given
that you've
got to die, it
obviously doesn't matter exactly how or when"27. Although Raskolnikov
choose salvation,
while Meursault refused it, both men became aware of their alienation.
In the end, Raskolnikov and Meursault gained a
better understanding of
themselves, and
their place in society. After he had confessed, Raskolnikov stated that
despite his seven
years of imprisonment "he had risen again and he knew it"28. This
conception was
also reinforced by a dream of his. He dreamt that the world was swept by
a mysterious
plague that was going to destroy all but a chosen few. Those attacked by the
plague considered
their own ideas infallible. As a result, the world was devastated as they
destroyed each
other in the belief that they alone possessed the truth. Yet, "strangely,
the
pure chosen ones
were nowhere to be found"29. From this, Raskolnikov realized the
emptiness of he
theory. Surely, if everyone began to act according to their own beliefs;
unorder, chaos
and destruction would follow. This was a turning point in his spiritual
struggle. Until
then, he was unable to admit the immorality of his crime; "Everything had
to change now,
did it not"30. At last, "life had stepped into the place of theory
and
something quite
different would work itself out in his mind"31. He had progressed from a
period of extreme
pride to humility. And from the last sentence, when Raskolnikov
reached under his
pillow for the bible Sonia had given to him and stated, "Can her beliefs
not be mine too?
Her feelings and aspiration, at least..."32, it is clear. He had accepted
God into his
life. Raskolnikov's spiritual struggle was over, he had abandoned his earlier
beliefs and began
a new life with Sonia. Moreover, though his values did not change,
Meursault was
finally able to express his feelings and accept his place in society. During
his conversation
with the priest while awaiting his execution, he began to "pour
everything out at
him from the bottom of my heart in a paroxysm of joy an danger"33. He
expressed that he
would not use religion as a vehicle to avoid facing the fact that he must
die34. Also, he
would not look forward to life after death; "he wanted to know how I
imagined this
other life. So I shouted at him, 'One which would remind me of this
life'"35. It
was during these final pages when Meursault became truly at one with his
existence.
Finally, he was completely open to life and realized that 'simply to exist is
not
good enough'36.
He now understood how;
So close to death, mother must have felt
liberated and ready to live her life again.
No one, no one at all had any right to cry over
her. And I too felt ready to live my
life again.37
All that mattered
to him now was living, right up to the very end. In the last sentence he
wished "that
there should be a crowd of spectators at my execution and that they should
greet me with
cries of hatred"38. The crowd's voiced hatred of him would reflect his own
self-loathing for
a life not lived. Although through different means, both Meursault and
Raskolnikov came
to terms with themselves in the end.
Through self and social examination,
Raskolnikov and Meursault underwent a
period of self
discovery. Raskolnikov abandoned his earlier theory an accepted his rebirth
into Christianity,
while Meursault became firm in his beliefs and, in the end, was finally
able to declare
them. Raskolnikov and Meursault were not afraid to cross the boundaries
their societies
had set for them. They were free-thinkers, and although they were seen as
heretics, men
like these play an important role in the growth and improvement of any
society.
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