"Darkness" is a word which is at the
same time both dreadful and evocative.
This is the one word Lord Byron chooses as the title for his poem. It is a fitting description of Byron's
chilling, but powerful, poem, "Darkness". "Darkness" is a foreboding tale
depicting the end of life on earth.
Byron's emotional and descriptive diction and imagery create the tone
and setting in which the world comes to an end.
It is an end most completely embodied in one small passage about a dog,
which shows the keen link between Byron and the other Romantic poets.
"Darkness" is begun with the line
"I had a dream, which was not all a dream." The initial impression struck by the word,
"dream", is one of inconsequence and a generally positive
feeling. The second half of the line
denies and repudiates the first by claiming that it "was not all a
dream". With these words an
atmosphere of foreboding is created and heightened all the more by its contrast
with the initial feeling. From this
point forward, darkness and fear reign supreme.
Such words as "wander", "rayless", and
"pathless" are used to describe the stars and create a sense of
despair and hopelessness. The word
"extinguished" is used multiple times in describing both the sun and
later for the loss of fire. Men first
give "selfish prayer" and later cast their eyes downward with
"curses". Both of these words
portray the close ties to a religious setting or event. The most obvious of the religious ties is
line 46 in which, "The meager by the meager were devoured". The ironic parallel to the Biblical belief
that the meek shall inherit the earth is clear.
The meek, or in this case the meager, shall inherit the destruction
through their own death and consumption.
This appalling prospect of death and
destruction is revealed throughout "Darkness" by the primary images
of darkness, fire, the death of two enemies, and the dog attending his
master. The first and last images of the
poem are naturally of aimless, uncaring darkness. The first action of the poem is the
extinguishing of the sun and the culmination is that of "Darkness"
becoming the "Universe". The
darkness is a direct contrast with the life-giving fire, so desperately sought
and kindled by man. However, the
ultimate hope vested in the fire must perish through the nature of both man and
fire itself. Man kindles the fire and
sets ablaze all his earthly constructs, but to no avail. Inevitably, it consumes all and destroys
itself. Thus, it was a false hope. The same despair and false hope can be seen
in the other important images of the poem.
The two enemies who come together as the sole survivors of a city do not
recognize each other or present any hostility.
This peace is also short-lived.
With the sight of "their mutual hideousness they died". Thus, the hope of peace died a quick and
inevitable death caused by the "Famine" and "Darkness",
which had stamped and transformed their visages to the deadly hideousness. This bleak destiny is observed in the
portrayal of the loyal dog as well.
After staunchly defending his master, the dog too dies with a
"quick desolate cry".
The dog is an important observation on life and
death by Byron. Like other Romantic
poets, Byron was drawn to a passionate disregard for the world and
society. The Byronic hero is thus molded
from that appreciation for rebellion and passion. In Darkness, the faithful dog has many
similarities to the typical Byronic hero.
He lives strictly according to a simple and fateful code. He must be faithful to his master, though it
drives him to his own inevitable doom.
This same devotion and faithfulness to a true love is of great
importance to any Byronic hero. This
faith he will never betray. Inflexibly,
he pursues his mission against any and all opposition, regardless of size or
might. This, coupled to the dread
inspired by his obliviousness to the inherent doom, is the lure and power of
the Byronic hero, and in this case the faithful but fated dog.
The faithful but fated dog is the embodiment of
Byron's philosophy of life and the fate of the world. "Darkness" is, in Byron's eyes, the
only possible outcome of life and the world itself. This oblivion is both painful and
inevitable. It is not, however,
approached from a fatalistic standpoint.
Simply because it is to be, does not mean either the dog or Byron is
willing to abandon his ardent devotion to an ideal. This unremitting passion allied to an
ever-present, but concealed, terror was a powerful lure to the Romantic poets
and was most thoroughly explored and portrayed by Byron.
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